Lorem ipsum dolor sit amet, consectetur adipiscing elit. Integer vel eros volutpat, consequat diam ac, eleifend dolor. Mauris risus ante, tempus in interdum elementum, consectetur id odio. Praesent lorem dolor, sollicitudin sed metus at, laoreet vestibulum dolor.
Traité des sens. Nouvelle edition, corrigée, augmentée, & enrichie de figures en taille douce.
Amsterdam, chez J. Wetstein, 1744.
Some Account of the Pennsylvania Hospital; From Its first Rise, to the Beginning of the Fifth Month, called May, 1754.
Philadelphia, B. Franklin & D. Hall, 1754.
Abhandlung von einigen Verschiedenheiten welche an dem Menschen vor und nach seiner Geburt wahrgenommen werden, und den dabey sich äussernden Spuren der Allmacht und Weisheit Go...
Tabulæ anatomicæ ... Præfatione, Notisque illustravit, ac ipso suæ Bibliothecæ dedicationis die publici juris fecit Jo. Maria Lancisius.
Romæ, ex officina Typographica Francisc...
De lepra commentationes. Recensuit J. D. Hahn.
Lugduni Batavorum, apud Sam. et Joan. Luchtmans, Trajecti ad Rhenum, apud Abr. van Paddenburg, 1778.
Le Cat’s most important work. The Traité des sens was first published in Rouen in 1740 and again in 1742. It was the only part that was set in type of a greater work on physiology, which was never published. This is a new and updated edition. Le Cat, a friend of Voltaire´s, was a neo-Cartesian who believed in the union of the soul and the body and was one of the first adherents of a mechanistic approach to physiology. In his curious Traité des sens he opposes Haller’s doctrine of irratibility and sensibility of the nerves and considers the organism as a hydrualic machine. He postulates that the nerve force was a fluid which passes through the system of pipes and tubes. He also rejects Newton’s theory of colours and places Kepler’s second law of vision in doubt.
Collation: Pp. (16), 328. With 16 engraved plates, some fold-outs with key plate in line drawing. Title leaf printed in red and black, and with an engraved printer's device.
Binding: Contemporary marbled calf with five raised bands and richly gilt spine, red edges and marbled endpapers.
Provenance: [Anders Johan] Hagström[er] (1753-1830).
References: DSB, VIII, pp 114-16; Wangenstein, pp 75-76; Caillet 6342; Hirschberg/Blodi, III, pp 102, 289-94. Elgen Books (June 2004).